Via Portbou in Catalonia to Valence, another ancient Roman city in France

In November 2018 we spent three weeks near Tarragona. Now I tell you about the last stage on our way north and home, starting from Cadaqués to Valence in France, with a commemoration stop in Portbou (Catalonia).

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Portbo, the small city next to the border with France, reminds of the drama of Walter Benjamin

Portbou was the scene of the dramatic death of the German Jewish philosopher Walter Benjamin in autumn 1940. We stopped in Portbou to commerate him. Walter Benjamin succeeded in crossing the border from France to Franconian Spain. He and a group of Jews intended to travel on to Lissabon and then to the US. But Franconian Spain had just changed the law and would not let the group continue to Lissabon without a valid confirmation that they were allowed to leave France. Which, of course, they did not have. Benjamin committed suicide, and the rest of the group could then travel on to Lissabon. This monument called Passatges reminds us of that drama: Stairs lead into the sea.

At the bottom there is this thought of Benjamin: “Schwerer ist es, das Gedächtnis des Namenlosen zu ehren als das der Berühmten. Dem Gedächtnis der Namenlosen ist die historische Konstruktion geweiht.”  This has been taken from Benjamin’s thoughts about the term “history”. This is the translation: “It is more difficult to honor the memory of the anonymous persons than that of the famous. To the memory of the anonymous the historical construction has been dedicated.” For me, these thoughts are difficult to understand. Yes, the flow of history is told to us as the series of deeds by famous actors, but in addition it is the result of many more actors that remained anonymous. Is it that, what Benjamin had in mind?

What touched me was to be again confronted with the sadest part of German history. I hope that nothing like that will happen again. The monument was erected with support of Germany in 1994.

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Growing wine on steep slopes above the Mediterranean Sea

We cross the border to France and drive through the steep vineyards of Banyuls. It must be tough to grow wine here. Along the road, we come across a small wine shop, where I buy a bottle of Mourvèdre from Collioure.

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Valence – an ancient city with some charming corners

After a quiet night in the sober, but practical IBIS hotel of Valencia, we park our car under the Champs de Mars or Mars Field.

Emerging from under the ground we find this heart of Valence.

It carries the hashtag #moncoeurvalence. Sorry, we are not selfie addicts (the hashtag suggests to make selfies here). We enter the old city center, as seen through the heart.

We slender through streets and enjoy the busy market – everything looks tempting here. Then we walk over to the cathedral behind the market.

The Romansque cathedral St. Apollinaire collapsed in the 17th century, but has been reconstructed true to the original. Inside are three naves of almost the same height…

… and the colours of the windows are reflecting mysteriously on the wall.

It was here that in the 12th century, Barbarossa married Beatrix, the heir of Burgundy.

The only construction left from the cloister behind the cathedral is the so-called “Le Pendentif”, erected in renaissance style in 1548. It is the tomb of a capitular.

We stroll through the narrow streets.

The House of Heads or La Maison de Têtes has been built by a university professor in 1530, as a plate explains. Its style is characteristic for the transition from late gotic to renaissance.

French style squares or plazas are always inviting with their trees and restaurants. It is just a bit cold now.

Valence strives to be clean, but how did we say forty years ago at university: “French planning is more French than planning”. I really could not find, where I could take the sack, in case I had  a dog, be it small or tall… but I love the humor that guided the author of this plate.

Never have I seen this street sign before – surfboards are forbidden here, only that! Bicycles, rollerblades, everything else is allowed – or am I mistaken?

We leave Valence and head north following the vineyards of the Côte du Rhone. In the Saint Joseph area, I take a foto of the vineyard of one of my favourite wine growers, Chapoutier.

In Serrières, we park our car to eat a a sandwich. When we come back, some Gilets Jaunes with their motor cycles have filled up the parking. They tell us that they like the Swiss and show to me, how to get out of my parking lot amidst their motor cycles without damaging one of them. Some four hours later we are back in Monthey in Switzerland to share a night with our friends that allowed us once more to stay in their apartment in Catalonia. We look back at another wonderful trip.

 

Sources:

  • Thomas Schröder: “Katalonien”, Michael Müller Verlag, Erlangen 2015
  • Thorsten Droste: “Romanische Kunst in Frankreich”, DuMont Kunstreiseführer, Köln 1992
  • Thorsten Droste: “Provence”, Dumont Kunst-Reiseführer, Köln 2011

Catalonia: Besalú and Peralada – treasures at the foot of the Pyrenees

After having spent three weeks near Tarragona, we slowly drive back home. Now I will tell you about our visit to Besalú, to the Dolmen de Cabana and to Peralada on the way to Cadaqués.

Source: España Noreste, Michelin Cartes et Plans 1:400’000

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Besalú – an old earl city with an old bridge

Besalú was an early reconquest of the Christians from the Moors. In 812, it was named the capital of the Franconian county in the Spanish March. It was independent until the 12th century, when it became part of the county of Barcelona. Besalú has been classified as a historic national property of Spain, as it has kept its medieval appearance due to having lost importance in the 14th/15th century. Though counting only 2500 inhabitants now, Besalú has clearly the appearance of a city, preserved from medieval times.

The old bridge (Pont Vell) crosses the Fluvià river. It uses rocks as the natural basis for the arches, which is the reason for it bending across the river.

The small city crouches on a hill. To the left of the bridge, the remains of a Jewish site for ritual washing (Mikwah) have been found.

The medieval streets inside the city walls are narrow.

The Plaça Llibertat is bordered by arches.

 

Besalú: The church San Vicenç with its remarkable western side port

According to our “Dumont”, the style of the church San Vicenç is late Romanesque – beginning Gothic. The choir seems Lombardian to me.

The western side port is beautifully decorated.

Fierce animals and a spiraled arch as well as plants are the elements of the decoration.

 

Hospital de Sant Julià built to receive pilgrims

Besalú is a center on the pilgrimage route of Sant James and has therefore built the Hospital de Sant Julià. Constructed in the 12th century, it is now a museum. This gate is finely adorned.

 

Sant Pere de Besalú

The Plaça de Sant Pere was once the Benedictine Sant Pere Monastery that has been destroyed around 1800 in the French Wars. Only the church from the 12th century is left.

Below the gable on the western façade is this beautiful window with the two furious lions.

The vaulted nave is sparsely illuminated by small windows. I took this photo from the ambulatory with its decorated columns.

 

Refreshing ourselves in the friendly Xocolateria

Before continuing our way, we have coffee in the friendly Xocolateria.

The kids corner has been installed with much care in this welcoming place – there is even rubber ice cream in the small kitchen.

 

The Dolmen amidst the vineyards of the Empordà

Our Müller guidebook talks about the Dolmen of Cabana. I love dolmens as a relict from prehistoric times, about 4000 years ago. I saw some dolmens in Bretagne (France), in Ireland (Newgrange) and there is even one near my home in Basel (Aesch). Ursula agrees to visit the Dolmen of Cabana in the Empordà at the foot of the Pyrenees. We follow the bumpy small road to the very end and we find the remains of the covered tomb…

… with a gorgeous view of the Canigou…

… and amidst the DOC wine region of Empordà. I acquired a bottle of cava “méthode champenoise” from here (more famous for cava in Catalonia is the Penedès, but it is also elaborated here).

 

Peralada – another Romanesque gem – the cloister of the former monastery Sant Domènec

Peralada is a pretty small fortified town with narrow streets, located on a hill.

We visit the cloister of the ancient Augustinian monastery Sant Domènec from the 11th century. Only the cloister remains from the former monastery.

The capitals are decorated with wild animals…

… and with scenes from the bible such as Eva being born from the ribs of Adam…

…  and Adam and Eva in the paradise – well, they seem to have eaten the apple already.

We say good-bye to the small teckle barking at us from the balcony and we say good-bye to Peralada…

Now we continue our way through the hills to Cadaqués on the Mediterrenean Sea where we have booked two nights.

Sources:

  • Fritz Allemann and Xeniua v. Bahder: “Katalonien und Andorra”, DuMont Kunstreiseführer, Köln 1980
  • Thomas Schröder: “Katalonien”, Michael Müller Verlag, Ebermannstadt 2015

Girona with its charming old city centre

In November 2018 we spent three weeks near Tarragona. Now we head north again, to the Costa Brava, Girona and Cadaqués.

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The Costa Brava – wild rocks above the blue sea

From Torres del Mar we follow the coast line of the Costa Brava. On the map, the road looks very curvy… and yes, they ARE curvy. One bay after the next. Wild rocks. Some houses along the steep rocky slopes. And at the foot of the rocks, in the bay, a small sand beach with amenities for bathing in the Mediterranean Sea.

We enjoy the romantic views, as the sun plays with the clouds.

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Sant Feliu de Guíxols – large holiday resort with a 10th century monastery

After having curved along the scarcely populated rocky bays, we reach the resort Sant Feliu de Guíxols with ist Benedictine monastery from the 10th century.

All Museums, everything is closed now, end of November. We walk through the narrow streets of the old town, find a nice restaurant open in the otherwise quiet Rambla and yes, there is even a shop for pets. I am sure, this place will be very busy in summer.

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Welcoming Girona at night

A fast national road takes us to Girona (pronounced Jirona). We stay in the hotel Carlemany, and I learn, “Carlemany” is Catalan for “Charles the Great”, “Karl der Grosse” or “Charlemagne”. The people of Girona remember him. He conquered Girona from the muslims already at the end of the 8th century. It was then pingponged between Christians and Muslims until the 11th century. Then it remained with the Christians as part of Catalonia.

In the evening, we stroll through the narrow streets along the river Onyar with the view of the Cathedral Santa Maria…

… and we discover some Art Modern that is present all over in Catalonia.

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A full day in Girona – we start with the river and the medieval bath 

The next morning we return  back to the river Onyar and the medieval city…

… and visit the “Els Banys Arabs”. They have been built around 1200, after the Arabs had left, perhaps by mudejar masters (Dumont, p. 123). This is the tower above the entrance hall. It gives access to the remains of the cold, the warm and the hot room.

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Sant Pere de Calligants: The Romanesque Benedictine monastery is now a museum

Sant Pere de Calligants is the former monastery of the Benedictines from the 12th century. This is the entrance…

… an this is the charming belfry in Lombardian style reflecting in the pond of the garden.

Inside we find the harmonic barrel vault…

… with some treasures such as the Roman tomb that shows the elaboration of wine: The grapes are picked in the vineyard and then tramped in the trough.

I also like the baptismal font.

The Romanesque cloister has some nice capitals…

… such as this one where two fish seem to swallow a women.

In the museum we find a wonderful exihibition of Roman toys, amongst them bones. Interesting, in Mongolia we have played with such bones as well .

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Sant Nicolau: Modern art in the 12th century chapel

Next to Sant Pere de Calligans, we enter the 12th century chapel of Sant Nicolau with its Romanesque vaults. It is now an art gallery. We find a transparent plastic plane with a brush (I believe) and white spots as well as a long chipboard with some bales of straw.

Interesting pieces of art and for me somewhat difficult to understand.

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The Cathedral of Santa Maria with the old carpet of world creation 

It took a thousand years to complete the Cathedral of Santa Maria – the styles of several periods are mixed. Imposing reverence, the cathedral welcomes the visitors with the 18th century baroque facade above the long stariway completed in the 17th century – 3 times 30 steps.

The huge gothic nave covered with the ONE sequence of ribbed vaults is impressive. The nave is 34m high and 22.6m wide. This is the largest of all gothic vault constructions. The choir built in the 14th century has still been conceived with three naves. Later the idea came up to build the longhouse as one single nave. The risk was high. In 1417 the architect Guillem Bofill accepted the task and completed it (Dumont, p. 118).

Treasures inside include this tomb – the bishop lies on his comfortable cushion made out of stone and his feet are resting on his faithful dog.

The beautiful cloister from the 12th century covers primarily themes from the Old Testament. Below Noah’s ark is being loaded with his family and the animals in pairs.

In the marvellous museum attached to the Cathedral we find the carpet of world creation from around 1100. It is silk embroidery. The Pantocrator is surrounded by several episodes of the world creation such as Adam giving names to the animals and Eva being born from his ribs. The pictures are perhaps based on an early Christian mosaic from Roman times (Dumont, p. 122).

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Wrap up: Walk on the wall, with a view of the city and the Pyrenees

To wrap up our day, we climb the city walls near the Cathedral and walk on them up to Plaça Catalunya.  The views of the old town with the Cathedral and the Pyrenees are gorgeous.

To the right is the Cathedral and to the left San Feliu church – they are dominating the landscape of roofs.

In the backogrund, THE mountain of the Catalans, the Canigou, has already been covered with snow.

The sun is setting and we return to our hotel Carlemany to enjoy dinner.

Good-bye Girona, it was a wonderful visit.

Source: Fritz René Allemann und Xenia v. Bahder: “Katalonien und Andorra”, Dumont Kunst-Reiseführer, Köln 1980.

Discovering the Val d’Aran: The origin of the Garonne

On 1st of November 2018, while staying in the Parador of Arties for four nights, sunshine and a blue sky are waking us up. By car we drive up to the Bonaigua Pass (2072 m above sea level). From here we have a beautiful view. The bad weather is rising from the valley and will reach us tomorrow. 

There is snow around us and – languishing – I watch some skiers walking up the hills, where the chairlifts have not yet started to run. “It was great”, one of the ski tourists tells me, “why have you left your skis in Switzerland?”

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Where is the source of the Garonne?

The Garonne does not have just one source, but at least three. The first source is in the south, the second in the east and the third in the west of the Val d’Aran.

The first source in the south – the Rude-Garonne :

One traveller from the 19th century contends that the Rude-Garonne is THE source: « Toutes les artigas ou affluents de la vallée d’Aran se plaisent à se considérer comme la Garonne originelle, mais celle qui au moment semble étinceler au loin sur notre gauche a plus que tout autre droit à ce titre. Appelée la Garonne de Rude, elle a sa source dans les lacs de Sabouredo, sur la bordure nord du Parc d’Aigues Tortes» (Bessons, Tomme I, p. 192).

Exactly like for the traveller of the 19th century, the valley of the Rude- Garonne is also sparkling for us on our left, when we return from the Port de la Bonaigua to the Val d’Aran.

That former traveller contends that the Rude-Garonne is more entitled than other affluents to be called the origin of the Garonne, but it seems that he is not quite right – there are more sources.

The second source in the east – the Beret-Garonne:

The Beret-Garonne originates in the Uelh deth Garona on the Pla Beret (Uelh deth Garona means “Eye of the Garonne”).

The Beret-Garonne joins the Rude-Garonne in Tredòs which was formerly the highest and last village in the valley. Above Tredòs are now located the ski resorts Baqueira and Beret, with the huge parking lot that must be filled with cars sparkling in the sun, once the winter season starts.

These are the ski pistes attracting so many tourists and even the king of Spain.

The third source in the west – from Pic Aneto and Jove’s eyes:

As Wikipedia writes, “the third thesis holds that the river rises on the slopes of Pic Aneto at 2300m above sea level and flows by way of a sink hole… (reemerging) at Uelhs deth Joèu (“Jove’s eyes”) in the Artiga de Lin.” It then joins the Rude-Beret-Garonne in Vielha.

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The long way of the Garonne to the Atlantic

The Garonne starts as a Spanish (or more precisely as a Catalonian or even more precisely as an Aranese) river and crosses the border near the village Les at the Pont du Roi to become the third longest river of France (in all about 600km, from which 524km in France). I have come across the Garonne in Toulouse, near Moissac and in Bordeaux. North of Bordeaux, the Garonne joins the Dordogne and, now called Gironde, reflects the sun to warm the first-class vineyards of the Haut Médoc at sites such as Pauillac, St. Julien or St. Estèphe.

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Dreaming of hiking in the Val d’Aran

I could imagine hiking in the Val d’Aran in summer or early autumn, along the Garonne, from village to village, from one 800 years old church to the next, up to the three sources of the Garonne, and up to the passes and mountain peaks, …

… to enjoy the landscape and the flora…

… that also reminds me of the Alps (here: autumn crocus found on a path along the Garonne).

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The Val d’Aran is a new world that I have discovered

From how the people preserve their language, the Aranese, I understand that they have their own strong identity which differs from Catalonia. I am happy that Ursula had the idea to spend some days here. A fascinating world has opened up for me in the Val d’Aran.

In their two volumes named “sur les Chemins du Val d’Aran”, Madeleine & Françoise Besson describe their home valley that they love for the brave people and for three essential, natural riches.

The brave people they illustrate with a distant grand-mother of theirs, Maria Prades. After the first Carlist War, in 1840, her husband was imprisoned for smuggling (which was an important business then). Maria Prades was his young wife at that time. She decided to free her husband from prison. On foot she crossed the mountains, continued to Madrid, had an audience with Queen Isabel II and returned with a letter that liberated her husband.

The three essential, natural riches are the water that gives life and that has been mastered by the people; the abundant flora; and the chaplets of Romanesque churches hanging on the mountain slopes or placed in the villages that prove more than 800 years of religious verve. (« … trois richesses essentielles de la vallée… : l’eau qui lui donne la vie et que la vallée a su maîtriser ; la flore, l’une des plus abondantes des Pyrenées ; et le chapelet des églises romanes accrochées aux flancs des montagnes ou placées au cœur des villages et qui témoignent depuis plus de huit cents ans de l’élan spirituelle de la vallée» (Tomme II, p. 128).

Reading the books of Madeleine & Françoise Besson was a wonderful extension of our visiting the Val d’Aran.

 

Sources:

Madeleine & Françoise Besson : « Sur les chemins du Val d’Aran – Voyage autour d’Arties», Lacour 2005 (Bessons, Tome I)

Madeleine & Françoise Besson : « Sur les chemins du Val d’Aran – ses habitants, ses mots, ses fleurs», Lacour 2005 (Bessons, Tome II)

Discovering the Romanesque and early Gothic churches in the Val d’Aran

Discovering the Romanesque and early Gothic churches in the Val d’Aran

For end October/beginning November 2018 we had booked four nights in the Parador of Arties in the Val d’Aran. We found much to discover. Each mountain village has its own church and most of them are of Romanesque or early Gothic style.

Source: El valle de Aran

Besides Santa Maria in Arties, we have visited the churches of Vielha, Bossòst, Les, Escunhau, Salardú, Tredòs and Unha (main source: “Los caminos Pirenaicos del Arte Romanico”).

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Vielha – Iglesia de Sant Miquèu

Vielha is the main town of the Aran valley. The octagonal tower of the church Sant Miquèu can be seen from far (early Gothic).

The portal is decorated with the Saint of the church, Michael who defeats the dragon-devil (early Gothic, 14th century). The five arcs of the portal contain sculptures to discover.  

Inside the church we find the most precious treasure, the Christ of Mijaran. It is the only remaining part of a larger sculpture showing the deposition from the cross (12th century). It was crafted by master Erill from the Val de Boí. The Val de Boí is not far from here and last year we have visited their impressive Romanesque churches as well.

The Romanesque baptismal font is carefully decorated.

Inside the church are furthermore a gothic altar and gothic frescos.

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Bossòst – Iglesia de la Mair de Diu dera Purificacion

Bossòst is another village with narrow streets, neat houses with shingled roofs and a Romanesque church, the Iglesia de la Mair de Diu dera Puricifacion (12th century). The bell tower with its twin windows and the threefold apsis are typical of the Lombardian stlye.

I particularly like the northern portal with Christ surrounded by the sun, the moon and the symbols of the evangelists.

The weather is about to change – the clouds shaped by the south wind are hanging above the belfry.

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Les – Capilla de Sant Blas

In the next village, Les, we find the small Romanesque chapel called after Saint Blasius. It could well be that once upon a time this chapel was part of a larger church.

Strolling along the cobbled streets of Les, I find this shop that sells cider.

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Escunhau – Iglesia de Sant Pèir

Just neighbouring Vielha, Escunhau is another one of those pretty villages. The Iglesia de Sant Pèir is above it.

The main portal is decorated with this plain and elegant sculpture showing Christ crucified. Can it be that some architects of 20th century churches came here for inspiration? 

The cemetery has been decorated for 1st of November (All Saints).

 

Salardú: Iglesia de Sant Andrèu

The church of Salardú is named after Saint Andrew (13th century).

From the outside decoration, I above all like the “twinkling” face – it looks a bit like our “twinkle” emoticon.

Inside the church we find early gothic vaults.

The highlight is the wooden cross with Christ of Salardú. It is attributed to the same master Erill from the Val de Boí as the Christ in Vielha. Under the feet of Christ, Adam is about to revive from his grave.

On the back of the cross this beautiful angel looks at us.

I was so fascinated by the wooden cross that I did not notice, what Ursula noticed… this shrine…

… and the sculpture of Maria with her child.

The presbyterium is decorated with frescos showing biblical scenes; they are from the 17th century – Renaissance.

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Tredòs – Santa Maria de Cap d’Aran

Tredòs is located in the upper part of the Val d’Aran. Their Romanesque church Santa Maria de Cap d’Aran from the 11th century is closed.  The inhabitants are busy decorating the tombs in the cemetery.

The paintings that once were inside this church are now in the Cloisters Museum of New York (this may sound unbelievable, but it is true).

The small window fortunately has remained here.

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Unha – Iglesia de Santa Eulària

Our last church visited is Santa Eulària in Unha. The mountains make a wonderful background for the Lombardian apsis.

Under the roof, there are various small faces and figures. This figure seems to have a pain in his back.

We stroll through the narrow, cobbled streets of Unha and admire the shingled roofs.

Like all villages also Unha is still asleep waiting for the winter season to start and for the tourists to come. We find a bar open and we have an espresso on the balcony.

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What a rich and well-kept culture in the rough mountains!

The Romanesque and early gothic churches are a rich and well-kept culture. The Val d’Aran is not the only valley with such a rich heritage at the border between Spain and France. To me the churches look like solid fortifications in the rough mountain valleys. The few ornaments are solemn and precious. They make the churches a wonderful place for worship.

It fascinates me to find the same style elements from Lombardy in the Pyrenées, in the Alps and even in Germany.  In the 11th century, the masters from Lombardy had exported their way of building churches throughout central Europe. Networking was successful, though the infrastructure for travelling was very, very basic.

I could imagine going back to the Val d’Aran and neighbouring Valleys and combine hiking with visiting more Romanesque and early Gothic churches.

 

 

Sources:

Conselh Generau d’Aran (Elisa Ros Barbosa): Er Art Romanic dera Val d’Aran, 2007

Pauline Chaboussou et alii: « Los caminos Pirenaicos del Arte Romanico”, Synidcat mixed du Pays Couserans, Anfigraf 2008

 

Discovering the charming Val d’Aran: Arties and its nobleman Portola

For end October/beginning November 2018 we had booked four nights at the Parador of Arties in the Val d’Aran.

The Val d’Aran belongs to Catalonia. It is located south of Toulouse in the Pyrenees. While most Spanish valleys in the Pyrenees are oriented towards Spain, the Val d’Aran faces north. In 1659, France under Louis XIV and Spain under Philip IV agreed that the Val d’Aran is to remain with Spain. However, in winter, the snow prohibited to access the Val d’Aran from the south. For being somewhat isolated, the valley has kept its own character which is different from Catalonia. There is much to discover such as Romanesque churches, the Aranese language, hiking paths in a rough landscape, the favourite ski resort of the king of Spain and the source(s) of the Garonne.

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The former castle of the family Portolá – now the Parador – in snow and ice

The Parador of Arties is a former castle of the noble family Portolà. From our room we can see the Montardo -THE mountain of the area (2883m). It is cold. All is covered with snow and the roof is icicled.

The tower reminds us of the fact that the parador once was a castle. In the background we can see the skiing area of Baquiera and Beret where the king of Spain practices skiing.

The tower reflects in the swimming pool that now does not seem to be inviting me for a swim.

Arties is proud of their noble family Portolà with Gaspar de Portolà being their most famous representative (1723-1786). Starting from what is Baja California today, he discovered California, first San Francisco and then the Monterey Bay. An area in San Francisco, a valley and a city are called “Portola” in California.

Near the Tower of the Parador, there is a statue of Gaspar de Portola…

… and in the saloon of the Parador near the fireplace we found his portrait as well.

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Arties on the Garonne, first covered by snow, then green again

Walking through the village we discover neat stone houses covered with shingles, most of them with closed shutters. Many restaurants, now also closed, make us assume that this village will be busy, when the skiing season starts. The yellow autumn leaves reflect in the sun and contrast with the snow and the Montardo mountain.

The village Arties stretches along the Garonne that originates in the Val d’Aran to continue its way to France and to the Atlantic Ocean.

Every village in the Val d’Aran has its own small Romanesque or early Gothic church. In Arties it is the Església de Santa Maria from the 12th century. The threefold apsis is decorated with pilaster strips and arcades, as it is typical of the Lombardian style. The church is closed.

The second church of Arties in early gothic style is called “Sant Joan” (a day later the snow has disappeared). It is a museum now. 

The village of Arties is located where the rivers Garonne and Artigues join. 

Madeleine & Françoise Besson wrote two beautiful books about their home village Arties that starts, when the village, located between two rivers, was inundated in the 1960s after heavy rainfalls. The village was poor at that time, before tourism started. The Bessons also write about the impressions of the rough life and the brave mountain people that travellers from the 19th century reported.

I captured the overview foto of Arties from the small Ermita de Sant Jaime.

Let me keep more Romanesque churches of the Aran valley for my coming blog. 

 

Sources:

  • Conselh Generau d’Aran (Elisa Ros Barbosa): Er Art Romanic dera Val d’Aran, 2007
  • Madeleine & Françoise Besson : « Sur les chemins du Val d’Aran – Voyage autour d’Arties – Tome I », Lacour 2005
  • Madeleine & Françoise Besson : « Sur les chemins du Val d’Aran – ses habitants, ses mots, ses fleurs  Tome II», Lacour 2005
  • Pauline Chaboussou et alii: « Los caminos Pirenaicos del Arte Romanico”, Synidcat mixed du Pays Couserans, Anfigraf 2008

 

 

From L’Hospitalet through the Pyrenees to Carcassone

From L’Hospitalet we drive back to Switzerland, first crossing the Pyrenees and stopping at Carcassone. The next day we continue through the rough plateau mountains of Causses and stay overnight at Laguiole. Finally on the third day we take the French motorway end enter Switzerland crossing the Pas de Morgins. Let me start with the first segment from Spain to Carcassone.

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Crossing the Penedès with Santa Creuz

Penedès is the wine region south of Barcelona that among other things produces the well-known sparkling wine Cava. Amidst the vineyards is the monastery Santa Creuz. The Kings of Aragon have been buried here, until the monastery of Poblet took over.

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Inside the walls there is a small town. The monastery is closed at lunch time. It will  be on our list of excursions when coming back to L’Hospitalet.

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The vineyards of the Penedès are not as steep as the vineyards of Priorat.

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We reach the Pyrenees and drive uphill on a sinuous road. It starts to rain. At the Coll d’Ares or Col d’Arès we cross the border to France. This sign promises great photos here.

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And this was the view… it WAS misty here.

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Above Prats-de-Mollo, Vauban (the architect of Louis XIV) has built the Fort Lagarde with the bastions typical of his strategy of defense (late 17th century). In the narrow streets the traffic halts for some time, as a lorry got stuck. All cars are waiting calmly.

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At Narbonne we take the motorway. Heavy wind makes the cypresses bend. We cross the vineyards of the Langedoc-Roussilon and reach gorgeous Carcassone where we stop for a night.

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Carcassone – a fairy tale fortress

Carcassone is located in the Aude plain between the Massif Central and the Pyrenees. It was of strategic importance. The Romans had a fortification here, the Visigoths conquered it in the 5th century and the Saracens defended it successfully in the 8th century. Around 1200 the Cathars used it. In the Hundred Years War it withstood attacks by the English. Until the 17th century it was a fortress at the border between Aragon (Spain) and France, but then the Languedoc-Roussillon was transferred to France and Carcassone lost its importance as a fortress (“Carcassone – katharische Burgen”, Estel 2011).

Tourists love Carcassone. Buses are allowed to to stop here for a few minutes and “download” tourists.

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Inside the walls is a city with narrow streets. Many restaurants invite for dinner…

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… and many, many shops invite to buy souvenirs (but not to sit down).

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The restaurants offer home made cassoulet (fait maison). This meal is more for people who have worked in the fields all day.

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I prefer lamb with herbs.

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… and then we sleep well in our quiet hotel.