On the road: Following Romanesque and Gothic heritage in Oberbayern

In August 2020, I spend four days in Upper Bavaria with my long-time friend from Munich. The weather is very rainy and we take the opportunity to learn about the cultural heritage of Bavaria that goes back to Romanesque and Gothic times: The church of Sankt Georg at Ruhpolding, the chapel of Sankt Servatius auf dem Streichen, Sankt Valentin at Zell (part of Ruhpolding), Sankt Nikolaus at Einsiedl.

Source: Googlemaps

 

Ruhpolding: Church of Saint George

Not far from our hotel is the Church Saint George, nicely located on a hill above Ruhpolding. After the rainfalls, when the sun has returned on the last day of our vacation, I take this photo with the Sonntagshorn in the background.

This church has the typical Bavarian Baroque or Rococo appearance, whereby the right-hand altar embeds…

… the beautiful Madonna with the Child from between 1190 and 1230.

The people from Ruhpolding call her proudly the “Ruhpoldinger Madonna”.

 

Chapel Sankt Servatius auf dem Streichen

It is drizzling, when we park our car close to the border between Bavaria and Austria, above the Schlechinger Tal. In the misty forest we walk uphill to the Chapel Sankt Servatius auf dem Streichen, located on a path for traders that transported goods from Bavaria (Unterwössen) to Tirol (Kössen). The attribute “auf dem Streichen” alludes to the trading traffic: “Streichen” is an older word for “Säumerpfad”, and “Säumer” or “Streicher” are the people transporting goods; “Säumerpfad” translates as mule track – the Anglosaxons seem to think of the mules on such  tracks.

Saint Servatius is an unusual patron in Bavaria. He was a bishop in today’s Netherlands (Maasland) that died in 384.

We reach our chapel Sankt Servatius in the mist. It is a mysterious atmosphere.

The booklet of the chapel, edited by Schnell and Steiner, assumes that the nave has been constructed in the 13th century, though the first records of the church appear only in 1440. At that time, the apsis was replaced by the more spacious choir with the rib vaults that we see today. In addition, the chapel was then decorated with frescoes that, with some changes in the 16th century, have been preserved under whitewash. It was a cultured and art-minded priest that initiated the uncovering of the frescoes in 1943/44. The stepwise renovation of the chapel was completed in 2014. Most of the windows in the choir are the originals; the glass roundels have been preserved.

An iron grating prevents visitors from entering the nave. We look at the precious frescoes of the nave from behind the grating. Above the entrance to the choir, I discern the annunciation scene with Maria and the Archangel Gabriel. The next fresco to the left shows Saint Leonhard, patron of the prisoners, with two prisoners whose feet are fixed in a block. Below, to the right hand side of the choir, the three Kings are visiting Christ after his birth. The writer of the booklet edited by Schnell and Steiner is of the opinion that this is the most precious fresco of this church.

There are more frescoes in the choir, on the wall separating the choir from the nave. One of them illustrates the Last Judgment. We cannot see them.

Saint Christopher greets us from the sidewall; Jesus child sits on his shoulder becoming heavier and heavier. Christopher is the patron of the travellers, ready to be invoked here by those who once transported goods across this pass.

The altar in the choir was created in 1524. Saint Servatius is flanked by Saint Dionysius and Saint Wolfgang. It is interesting that Saint Dionysus or Saint Denis carries his head in his hands, but also has a head where it belongs. In Paris, he just has that one head in his hand, whereby sometimes the nimbus is around the head on his hand, sometimes above his headless body; he was bishop of Paris and was decapitated in the third century. Saint Wolfgang was bishop at Regensburg in the 10th century.

This small box altar (to the left of the choir, 1400) is deemed to be the most precious piece of art in the chapel. Only two of the eight figures can be seen, Sebastian (with the arrows) and Laurentius (with the grill). The figures are graceful, the style is called “soft gothic”.

We enjoy this lonely solemn place in the middle of the forest and say farewell.

Below the chapel, there is a mountain inn that is closed today.

 

Ruhpolding/Zell: Sankt Valentin

Ruhpolding and Zell have been unified to one village. Zell is proud of their church Saint Valentin.

The frescoes in the gothic choir are from 1450. They have been uncovered in 1955. Christ is in the middle.

In the altar we can see Saint Valentin in the middle, Saint Dionysus to the left (again with his second head in his hand like in the Streichen chapel) and Saint Conrad of Konstanz (his typical sign is the cup) to the right. In the wings are Saint Augustinus and Saint Zeno (the latter we have already met at Bad Reichenhall).

Looking back at the gallery with the organ, we can see the wooden ceiling that is still the original. the brochure says.

Also the church Saint Valentin has its Saint Christopher; the fresco is baroque, from the 17th century.

 

Einsiedl: Sankt Nikolaus im Oberland

On our third day, the sky is brightening up, and we go for our first hike. We visit the nearby small church Sankt Nikolaus im Oberland in the hamlet Einsiedl. The church was built around 1200. Legend tells that a duke serving Barbarossa fought war against Salzburg and destroyed the city. This was too much. He should not have destroyed the city. Barbarossa banned him and sent him to this lonely place, where the duke built the small church dedicated to Saint Nikolaus and a farm.

The farm is called “zum Einsiedl” and the family living here looks after the church. The owners have a talent to cultivate flowers.

Wooden shingles cover the roof, the tower and one side of the church building.

Inside the church shows its original gothic habit.

In the altar from 1940 are a figure of Saint Nicolas (around 1700) and Stephan (to the right) as well as Laurentius with the grill (to the left, both early 16th century).

The cross in the arch to the choir has been created in the late 14th century and renovated in 1997.

The booklet by Heinz Scholz mentions the old window from 1420 showing the Annunciation and the birth of Christ. We look for that window everywhere. We see a coloured window near the entrance to the church. My friend looks through the key hole of the entry on the gallery, but no, this is not this window. What has happened to this treasure?

Or have we just not been able to find it? Perhaps we should have asked the farmer? We will do so the next time.

This ends our tour discovering cultural treasures in and around Ruhpolding. On our last evening in Upper Bavaria, we enjoy the sun set from Maria Eck.

And on our fourth and last day in and around Ruhpolding we climb the Unternberg with a magnificent view of Ruhpolding.

We say good-bye to Ruhpolding and, after a swim in the small and chilly Tütternsee, we return to the traffic jams of Munich to celebrate the sixth wedding anniversary in the restaurant with the Venetian name “Canal Grande”.

 

Sources:

“Ruhpolding”,Verlag Schnell und Steiner Regensburg 2002
“St. Servatius auf dem Streichen”, Verlag Schnell und Steiner 2017
Heinz Scholz, “Pfarrkirche St. Michael, Inzell”, A. Miller & Sohn Traunstein 2004

On the road: Thoughts about Corona in Oberbayern (Upper Bavaria)

In August 2020, we spend a four day vacation in and around Ruhpolding in Oberbayern (Chiemgau). It has been the first time since the start of the pandemic that I am staying in a hotel, going for shopping and eating in restaurants every day.

Tourists are back in Oberbayern (Upper Bavaria). The hotels seem to be well booked. But the atmosphere has changed. The tourists are primarily Germans, except for a few Dutch, a few Englishmen and a few Swiss (besides me).

In shops, we have to wear masks. Some shops take great care, have installed separate entry and exit doors, restrict the number of clients inside and offer disinfectant. In these shops, I feel safe to do shopping. Other shops are careless: Entry and exit are not separated, many clients crowd between narrow shelves. Such shops I leave out.

In restaurants, we have to put on our masks, when moving away from our table and the waiters also wear masks (or vizors).  While some waiters follow the rules carefully, others do not cover their noses with their masks which makes it all useless. In our hotel, there is no breakfast buffet. Instead we have to indicate on a list, what we want for breakfast, and in the morning, we receive everything on a tray. The bar is lonely, the jolly barkeeper of last year has left the hotel.

Some beach places at the lakes are crowded, while others allow to keep distance, and the personnel respects the rules. We particularly enjoyed our swim at the small and less well-known Tüttensee with the friendly and corona conscious personnel and with corona aware guests.

 

The Bavarian language gives orders a friendly touch

In a restaurant in Ruhpolding, I found this invitation to pay attention and to keep distance. “Obacht geb’n” means “pay attention” (“Obacht” = “Achtung” or “attention”).  “Abstand hoit’n” stands for “keep distance” (“hoit’n” means “halten” or “keep”). And, of course, you have to wear the mask inside (“hier bitte mit Mundschutz”).

In this restaurant, guests are invited to come in (“kemmt’s eina”) and the invitation to keep distance is kept in “normal” German (“bitte Abstand halten” = “please keep distance”).

 

Touching testimonies of children about the pandemic

In the baroque church St. Pankratius at Reit im Winkl, we come across these thoughts about the pandemic written down by children.

Let us zoom in some of the testimonies.

“Keine Trachtenprobe” means “no trying on traditional costumes”… and “und Pappa ist öffter daheim” translates as “and papa is at home more often”, whereby “ff” in “öffter” emphasizes “öfter” (“more often”) and also “pp” in “pappa” makes him more present. Children have their own spelling rules to express their feelings.

“Händeschütteln” or “shaking hands” is obviously forbidden.

“Oma und Opa sind alleine” – “grandma and grandpa are alone”. The girl has to stay outside the house of her grand-parents, how touching. She is even wearing a mask.

“Keine Flieger” – “no airplanes”. Yes, the sky has become much more quiet. The girl wears a mask and holds her hair back with a beautiful ribbon decorated with hearts.

“Warum können sich manche Leute nicht an die Regeln halten? Warum?” – “Why can some people not follow the rules? Why?” And “Demonstranten – wieso?” – “demonstrators – why?” The demonstrators want “keine Masken” (“no masks”), postulate “wir wollen raus!” (“we want to go outside”) and claim that “Corona ist blöd” (Corona is dumb”).

I do feel with these touching observations and remarks of the children of Reit im Winkl. They are so young and go through this pandemic experience with their eyes open. The pandemic is even difficult for us adults. I heard a high level Swiss politician say: “Life has become less safe and it is less fun”.

The baroque church that displays the children’s thoughts is painted in soft pink. Pink is the colour of happiness. The pink colour contrasts with the moving observations of the children, but it also gives an atmosphere of hope… I do hope that these children and all our children will go through more serene times with less worries pretty soon.

 

 

On the road: Bad Reichenhall in Upper Bavaria

In August 2020, we spend four days in Oberbayern (Upper Bavaria). We are in the middle of a severe weather front with heavy rainfall which gives us the opportunity to explore the culture of the area (instead of going for hikes). After past night with the splashing rain that made the rivers leave their beds, we visit Bad Reichenhall, where already the Romans had found salt. Bad Reichenhall is near the border with Austria.

 

Eye twinkling at Bad Reichenhall

First we notice nice signs of humour at Bad Reichenhall. “Puffer” (buffer) is a nice name for a zoological shop, and the way they write “ZOO” is very inventive, even “eye twinkling”. It is a nice coincidence that “puffer” is also a fish in English (“Kugelfisch” in German).

“Bärenstark” means “as strong as a bear”. May be, you will be as strong as a bear, after having eaten these berries or Beeren. “Beerenstark” is an allusion to “bärenstark” – the two words sound similar. May be, the driver is also “bärenstark”, as he has to carry the boxes with the berries when delivering them.

This whale reminds me of the whale that swallowed (and gave back) Jonah. Nice children’s paintings!

 

Welcoming city centre of Bad Reichenhall

The city has an old tradition, but in 1834 a fire destroyed it completely. The city centre has been reconstructed nicely after 1834 and is now a pedestrian area.

Here we stand in front of the old townhall built in 1849.

The frescoes show Saint Rupertus (7th century), Charlemagne (emperor of the Romans 800-814, king of the Franks from 768), Frederick Barbarossa (Holy Roman Emperor, 1152-1190) and king Ludwig I of Bavaria (1825-1848). To their sides stand Caritas and Justitia.

I shake my head wondering: What an interesting mixture of personalities across so many centuries! But then I learn that they are all connected with Bad Reichenhall. Rupertus is said to have rediscovered the existence of salt after the Romans had left, Charlemagne seems to have supported the foundation of the first Zeno church (which later became the Zeno monastery), Barbarossa is one of the patrons of the Zeno monastery and Ludwig I ordered the salt factory to be rebuilt.

The pedestrian area with the Church Saint Aegidius in the background is pretty and tidy…

… with inviting backyards. Everything is just a bit wet at the moment after that much rain.

We enter the church Saint Aegidius. It has been remodeled in gothic style in the 15th century and had to be reconstructed entirely after the fire of 1834.

 

The baths of “Bad” Reichenhall must have seen better days

In the 19th century, Bad Reichenhall started to make use of the medicinal benefits of salt. In 1848 the Bavarian king Maximilian recovered here for five weeks, and then, Bad Reichenhall was an important venue for High Society. Art Nouveau buildings and the garden (Kurgarten) of 4 hectares remain from those days. During National Socialism Bad Reichenhall became a garrison city and after the Second World War, the caserns were used by the Americans and then by the German army. The first casino of Bayern was built here in 1955. In 1996 the German Health Care System was reformed and Health Insurance stopped paying for treatments at health resorts. Bad Reichenhall lost its main clientele. Though their government started to adapt the offerings to a younger clientele, the signs of past grandeur can be seen. For instance one of the luxury hotels offered rooms for 39 Euros per night and this “Curhaus” looks deserted.

However, the “Kurgarten” is beautiful…

… and the adjacent Jugendstil Kurmittelhaus der Moderne from 1927 has been carefully renovated.

May the efforts of the city to attract more guests be successful, as it has more to offer than baths and health care: Hiking in the mountains with and without the support of cable cars, the tradition of winning salt (and telling about it in a museum) and the rich cultural heritage.

 

The Church Sankt Nikolaus with the Neo-Lombardian belfry

When entering Bad Reichenhall by car, I can notice the belfry of the Church Sankt Nikolaus.

The original belfry was teared down in 1861 and then reconstructed in Neo-Romanesque Lombardian style.

The apsis is the original from the 12th century. Human sculptures and lions are alternating in the frieze.

I like the lions that look at me.

Sankt Nikolaus is the parish church of Bad Reichenhall. It was built in 1181-1189, enlarged in the 19th century and renovated in 1967 to restore the Romanesque overall impression. The fresco in the choir is from the 19th century.

 

A beautiful Romanesque portal and gothic treasures: The cathedral of Saint Zeno

The Augustinian monastery of Saint Zeno was founded in 1131. The cathedral replaced the former building from Carolingian times (806 A.D.). Saint Zeno protects from floodwater which was a problem at that time and it is still a problem today, as the inundations of this past night show.

The plans for the construction of the cathedral were ambitious – a nave 90m long. Construction halted around 1160, but completing the cathedral was then supported by emperor Barbarossa – the monastery thanks him with his portrait in the cloister (which we cannot visit). Built in Romanesque style, the cathedral was enhanced by gothic elements after a severe fire in 1512. Much of the equipment in the cathedral is from the early 16th century.

The Romanesque portal from the second half of the 12th century is the show-piece of the cathedral. It is assumed that the masters came from Piacenza. The portal is made from white and red (local) marble. Two lions holding prey animals in their paws guard the entry (one of the lions is hidden).

Madonna with the child sits in the middle of the tympanum. She is flanked by Saint Zeno (left, patron of the cathedral) and Saint Rupert (right, the man who rediscovered the existence of salt around 700).

The choir stalls of 1520 are made out of oak wood. Also the Coronation of the Virgin on the altar is from 1520. The fresco in the choir, painted in 1935, follows the tradition of early Christianism showing Christ as Pantocrator.

The altar of Joseph is newer; it is from 1875. I am astonished to see Hubertus with a deer. Later I learn that the baron who donated the altar was a passionate hunter and he wanted to see Hubertus on his altar. Joseph heads the altar and to his left side stands Sebastian.

The beautifully carved wooden pulpit with the evangelists’ symbols is late gothic or even early Renaissance, from 1522.

Also the baptismal font with the frieze of angels carrying instruments of the Christ’s Passion originates from 1522.

To round off our visit of Saint Zeno, we stroll through the romantic cemetery with old trees and enchanted corners.

May be we have to return one day to see the cloister that is mostly closed. This would require some pre-organization.

 

Salt – already used in Roman times

Already the Romans used the salt deposits in the area of Bad Reichenhall. As we already saw, Saint Rupertus found the salt fields again around 700. Even today, 50% of the salt consumed in Germany is provided by Bad Reichenhall.

In the old salt factory built in 1844, salt was produced until 1929. It is now a museum. Unfortunately, the line of tourists at the entrance looks like an hour waiting time or so. We take a photo of the well house with the well chapel Saint Rupertus…

… and start our city excursion without waiting in line. After our stroll through the city centre we return and have lunch in the old salt factory. I love the modern furnishing in this traditional factory building and we enjoy delicious salads. To be recommended.

Our car waits for us not far from the salt factory. Through puddles – some pretty deep – we return to Ruhpolding.

 

Sources:

Markus Moderegger and Martin Wirth: “Die Kirchen in und um Bad Reichenhall”, Verlag Plenk Berchtersgaden 2019;
“Bad Reichenhall – St. Zeno”, Verlag Schnell und Steiner 2008
Bad Reichenhall in Wikipedia
St. Nikolaus in Wikipedia

On the road again: Romance and Romanesque culture at the Chiemsee

In the beginning of August 2020, I visit my friend at Munich and we spend a few days at Ruhpolding in the Chiemgauer Alps of Oberbayern (Upper Bavaria). I am surprised to find so many churches with a Romanesque and Gothic heritage here. So far I have mostly come across churches built in baroque or rococo style in Bayern.

On the way from Munich to Ruhpolding, we visit first the St. James church of Urschalling with the gothic frescoes. Then we take the boat to the Fraueninsel that promises Romanesque culture and romantic gardens.

 

Urschalling  – St. James church with frescoes from the 12th and the 14th century

Since having read Eugen Diesel’s “philosophy at the steering wheel” (1951) earlier this year, the St. James church of Urschalling has been on my travel agenda. Now, I am here, above the Chiemsee, south of Prien.

The church originates from the 9/10th century and has been rebuilt later.

In the nave, an iron grating prevents visitors from approaching the choir. I take this photo standing behind the grating. The frescoes are from the 14th century.

Jesus Christ is in the middle of the choir, surrounded by the symbols of the evangelists. Wikipedia  assumes that in the 14th century, the frescoes from the 12th century were repainted preserving the earlier Romanesque themes. This explains the Byzantine representation of Christ as Pantocrator that was common for early “western” Christianity as well. Below Christ are the apostles.

Female Saints decorate the  vault of the choir. To the left is Saint Hedwig carrying a model of the church.

The presentation of Trinity in the northern pendentive of the choir merits a separate entry in wikipedia. It shows godfather to the right (white hair), Christ to the left (fair hair) and the Holy Spirit in the middle (looks like a woman, whereby it is under debate, whether this is a young man or a woman). At the bottom, the three elements of Trinity end in ONE dress and coat (Brugger et alii, p. 12). This is an exceptional and creative representation of the Holy Trinity.

The south wall shows the passion of Christ starting with the Last Supper that has been cut out partially by the window.

Above the entrance to the tower is the gloomy picture of a hanged boy.

It is difficult to discern all frescoes from where we stand behind the grating. We enjoy the solemn atmosphere.

The church had already been decorated with frescoes in the 12th century. Adam and Eva have been preserved. I took them out of the brochure of Brugger et alii. This fresco is on the northern wall of the choir, and can hardly be seen from the grating.

After a delicious lunch at Urschalling, we take the boat to the Fraueninsel.

The roof of the famous cathedral belfry appears behind the trees.

 

Fraueninsel: The Carolingian Torhalle (gate hall) 

In 782, Tassilo III, duke of Bayern, founded the Benedictine nun monastery on the Fraueninsel. The Torhalle or gate hall has been preserved from those times.

It reminds me of the Torhalle of Lorsch near Heidelberg that I have seen in 2016.

On the first floor, we find a museum with frescoes and with some interesting exhibits.

This lion served as a door handle to the cathedral. The lion was the heraldic animal of duke Tassilo.

In addition, the elegant wedding cup of Tassilo III and his wife Liutberga has  been preserved.

I liked the vine branches on this gilded cross from the 8th or 9th century.

 

Fraueninsel: The cathedral

The octagonal tower of the cathedral is THE landmark of the Chiemsee region. Originally it has been built as a fortification tower in the 11th century. In the 13th/14th century it became the belfry of the cathedral. In the 16th century, the onion shaped “Bavarian” roof was added.

Irmgard, a grand-grand-daughter of Charlemagne, was the first abbess of the nun monastery. She was beatified in 1928 and was then painted for the altar of her cathedral under the gothic vaults. She is also buried here.

I look back at the organ of 1980 on the gallery.

The plain Romanesque entrance is protected by a second door. Taking a photo is difficult.

 

Fraueninsel – romantic gardens

To round off our visit to the Fraueninsel, we stroll along the so-called ladies’ walk around the island and we see many beautiful gardens. From this small house with the yellow rose bush we can see the big brother of the Fraueninsel, Herrenchiemsee, with one of the castles. Ducks seem to love this garden.

I would like to enjoy a barbecue at this charming spot…

…or just to read and rest here.

All the gardens are well kept – such as this one with dahlias.

The huge oak tree above this garden has been planted in 1901, 120 years ago, as a small seedling that was protected against the sun by a cabbage leaf. The seedling developed marvellously.

The cathedral belfry appears behind these colourful flower bushes.

My friend shows me her favourite swimming spot with the view of Herrenchiemsee.

But – no swimming today. It is already late and we have a date with my friend’s friend at Ruhpolding. We take the boat back and leave the Chiemsee to settle at Ruhpolding.

 

Sources:

Walter Brugger and Lisa Bahnmüller, “Urschalling”, Katholische Filialkirchenstiftung Urschalling, Prien am Chiemsee 2016.
“Abtei Frauenwörth und die Fraueninsel – kleiner Inselführer”, Benediktinerinnen-Abtei Frauenwört im Chiemsee, without year.

On the road again: Oberbayern, where severe weather is announced

August 7th 2020, my friends celebrate their sixth wedding anniversary at Munich, and I visit them. This has been my first vacation abroad since March 2020. From Sunday, 3rd to Thursday, 6th, my friend has ordered two hotel rooms in Ruhpolding in the Pre-Alps of Bayern (Oberbayern, Chiemgau Alps).

The weather forecast announces severe weather conditions for Monday and Tuesday. Let me start with our experience of the changeable and even severe weather conditions.

 

Warm Saturday summer evening in Munich

Saturday evening at Munich is very warm. It is a beautiful summer evening, almost too warm.

My friends prepare a delicious barbecue.

We eat in the shade of their cosy garden.

 

Sunday: Driving to Ruhpolding via Chiemsee. The first clouds start to cover the mountains

The next day, Sunday, we take the busy highway to Salzburg and stop at the lake, the Chiemsee. It is overcast and the mountains are hiding.

We visit the Romanesque-gothic church of Urschalling…

… and the Fraueninsel with their monastery and the beautiful gardens.

In the evening, I enjoy a delicious trout stuffed with herbs at the restaurant Fischerwirt and we close the day with a glass of wine in the garden of our hotel at Ruhpolding. It is still warm.

 

Monday: Excursion by car to Reit im Winkl and the Streicher church Sankt Servatius in the drizzling rain 

On Monday, we go for an excursion by car to do some shopping at Reit im Winkel and order a table for Tuesday in the restaurant Peternhof just across the border in Austria. The rain drizzles, when we walk through the foggy forest to see the charming “Streicher church” Sankt Servatius that hides between trees.

 

Tuesday: The rain splashes all night. We are in the centre of the severe weather front “Gitta”

Monday night, I sleep with the windows open (under the roof), and I can hear the rain splash loudly. It is pouring with rain all night. In the morning we see that the rivers have left their beds.

This is the raging river Traun with the “Traunweg”, the path bordering the river.

The branches are floating on the waves of the river Traun.

The mountains surrounding Ruhpolding have completely disappeared in the clouds.

In the news we read that in Siegsdorf, just 9km away, 146l/m2 of rain have fallen in 24 hours. The busy highway A8 to Salzburg as well as some local roads have been closed. Traffic jams all over. Cars have drowned in the floods. Some policemen are standing in water – up to their hips, also their car has drowned in the floods. In addition, train connections are interrupted. Also the Salzburg area in Austria and Eastern Switzerland have suffered under these severe weather conditions.

Bad weather is good weather for sightseeing. We drive to Bad Reichenhall and explore the charming city centre with the colourful townhall.

In the drizzling rain, we visit some Romanesque-gothic churches and have lunch in the restaurant of the salt factory.

We close the day with an excellent dinner in Austria, just across the border of Reit im Winkl, at the restaurant Peternhof, from where we watch the first shafts of sunlight appear.

We look forward to better weather to do some hiking and to enjoy restaurant terraces again.

 

Wednesday: The “Falkenstein loop path”, the Einsiedl church and dinner with the setting sun at Maria Eck

In the morning, we drive to Inzell to go for our first hike, the “Falkenstein loop path”. The sky is still grey and the paths are wet, but it is no longer raining.

The cooler temperatures are good for walking along the romantic ponds.

In the afternoon, we visit this charming Einsiedl church “St. Nikolaus im Oberland”, covered with wooden shingles.

The sky is blue again. We drive to the monastery Maria Eck, where we have a wonderful dinner on the restaurant terrace…

… and enjoy the sunset above the Chiemsee.

 

Thursday: Ruhpolding surrounded by mountains again. Climbing the Unternberg and cooling down in the Tüttensee

Early in the morning, I go for a walk to take pictures of the St. Georgskirche with the mountains surrounding Ruhpolding, including the Sonntagshorn in the background. It is the first time during our vacation that I can see the Sonntagshorn.

Ruhploding is surrounded by mountains again. As a farewell, we climb the Unterberghorn and enjoy the view of the Sonntagshorn from here as well.

Ruhpolding is far below us, now in the sun and under blue sky.

We take the amazingly slow chairlift to return to Ruhpolding and say good-bye. We have a short swim in the chilly Tüttensee that has been cooled down by the pouring rain. Then we return to Munich on the busy A8 escaping a traffic jam on the first kilometers by using the local roads.

We were perhaps not too lucky with the weather during our vacation in the Chiemgau Alps of Bayern. Nevertheless, we have enjoyed our stay discovering nice places, excellent restaurants and – amazingly in Bayern – quite a few Romanesque-gothic churches that I will talk about in the next blogs.

 

 

 

Visiting Oberfranken and discovering their great porcelain tradition

Ah – I see – the roots of Rosenthal and Hutschenreuther are in Oberfranken!

Always I have admired German porcelain. Not just Meissen, but also Rosenthal or Hutschenreuther. But I never thought about where the latter brands come from. I found out, when stopping over in Oberfranken. The family Hutschenreuther started producing porcelain in 1814. It was a love story, as Carolus M. Hutschenreuther married the daughter of the forest ranger. The ranger knew where to find the raw material for porcelain, caolin (or “white earth”). In 1857 Carolus’ son Lorenz founded his own porcelain factory in Selb, as this panel shows.

Around 1900, the family Rosenthal settled in Oberfranken and the brand “Rosenthal” emerged. In the 1950s, junior Philip Rosenthal returned and initiated the beautiful “studio-line”  that well-known arists like Walter Gropius contributed to. In 1956 the journal “Der Spiegel” had him on their front page and wrote about him.

Today, Rosenthal and Hutschenreuther belong to the Italian Sambonet-Paderno group.

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Why did I travel to Schönwald in Oberfranken? – I love to meet my friends – and a friend of mine lives here

In June 2018, I am on the road again, with Vreni. Our target is Berlin, and about half way to Berlin lies Schönwald. Our friend Herbert, now retired, has returned to his hometown in Oberfranken. We look forward to seeing him and envisage a hike in the Fichtelgebirge, as we have hiked together so many times in the Swiss Alps. We expected that there is nothing else to do in this peripheral region of Germany, near the border with the Czech Republic.

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Yes, indeed, Schönwald is close to the Czech Republic…

A few kilometers before reaching Schönwald, we stop at a gasoline station. The order to “pay first, then drive” is written in German, English, Czech, Polish and Russian.

This confirms that we are now very, very close to people with a slavic background.

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… but what a surprise! There is more to Schönwald and Oberfranken than just hiking, namely the tradition of porcelain production

When leaving the motorway at Selb to reach Schönwald, we have to drive our car around a huge teapot. A teapot? Do they make teapots here? Yes!

Schönwald, Selb and more cities in Oberfranken built innovative factories using mechanisation in the 19th century and produced more than 90% of German porcelain. Today, they offer a culture tour (Kulturreise) on the tracks of porcelain in Oberfranken.

We plan for a museum day to explore porcelain. Hiking is no fun anyway, because it is raining heaviliy and in the mist we cannot see any of the peaks of the Fichtelgebirge, though Herbert points into their direction and names some of them. Hm, we see nothing but white clouds.

We have our first dinner in a small hotel at Schönwald. Herbert turns round the plate and shows proudly that it carries the label “Schönwald”. Yes, Schönwald has its own factory and label for award winning robust hotel porcelain.

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Learning about mechanised porcelain production of the last two centuries in the Porzellanikon of Selb

The city of Selb has opened one of their old porcelain factories under the label Porzellanikon. Visitors can explore the production of porcelain and enjoy the beauty of the tableware of Hutschenreuther, Rosenthal, Kahla or Villeroy & Boch, all connected up today.

Here is what I took with me – it may not be perfect, as I am not a porcelain specialist at all.

The production of porcelain starts with blocks of stone that have to be crushed in several consecutive steps, a process that starts with huge millstones.

Using rotary drums, the stone blocks are further crushed. Kaolin, quartz and feldspar and other components are then mixed with water. The water has to be pressed out again using filters.

The raw material to produce plates, platters or plain bowls looks like over-sized sausages.

They are then formed using presses. Our friend Herbert worked here as a teenager to gain some pocket money.

For more complicated vessels such as this sugar bowl, liquid raw material is casted into a plaster mold. The sugar bowl forms itself near the plaster and when thick enough, the liquid in the middle is poured out and the bowl remains inside. I can hardly believe that this works.

The modeled porcelain pieces are then baked at high temperatures – the factory disposes of old kilns that we can walk into. As the photo above shows, the size of the sugar bowl is reduced considerably after having been baked.

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At the end, we enjoy the exhibition of porcelain products

It is a real pleasure to look at the well designed pieces of porcelain in the exhibition of the Porzellanikon. Here is a plate from the studo-line of Rosenthal.

And yes, it is Rosenthal. Actually the people from this area have this habit of turning round the plates in restaurants.

These two sets would make elegant coffee or tea tables.

The factories were inventive and even made cardboard plates out of porcelain.

I do love this design for children – the humor in it makes me smile.

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A walk through Selb

We end the day with a walk through the small town of Selb. They cherish their porcelain tradition with the unique porcelain street.

And again we find a slavic announcement – the small town of Selb wishes a “hearty welcome” in German and in Czech: Welcome to the town of porcelain in Bavaria.

Yes, thank you, Selb, Schönwald and Oberfranken. We felt welcome both, when meeting Herbert and when learning about porcelain. This experience was worth the stop over on our way to Berlin and we may return one day to see Herbert again and to explore more of the German porcelain culture.

 

On the road – a short stop over in Munich

After having recovered from my 6:35 flight from Kraków to Munich (oh Lufthansa…) in the house of my friends, I take the metro U5 to the Munich city center to say hello to some of my favorite places here.

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Karlsplatz or Stachus

The Stachus is the entry gate to the city center. The Christmas market starts here with an ice rink. I have never seen wheeled walkers (in German: Rollatoren) that support ice skaters… “Ja, sind die nicht nett?” (Yes, are they not cute?), my friend asks me, when I am back at her place.

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I buy a cup of hot wine (Glühwein) and watch the ice skating scene for a while from the terrace.

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Shopping at Stachus and in Neuhauser-/Kaufringstrasse

I try some large shops and then enter Biebl at the Stachus. I buy three cheese graters from Alessi. The shopkeeper frowns: “Now there are just a few Euros missing for your gift… let me give you a knife, you deserve it and it is Christmas time.”  Then he drops a small kitchen knife into my bag with the graters. Nice. I like smaller shops.

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In Bayern it is perfectly okay to wear a dirndl – in the theatre, at the party, at the business reception or at the wedding. There are shops selling just dirndls. When I look at some of them, I feel sad not to live in Munich. In Basel it is not possible to wear a dirndl – except perhaps at the Basel carneval when the dirndl dress matches a specific “sujet”.

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From Stachus to the Viktualienmarkt, there is one huge Christmas market with wooden stands selling everything from Christmas decoration to cloths, and of course there are many stands with hot wine, sausages, Reiberdatschi (small potato omlets) etc etc. There are many tourists and – like on the Christmas market of Kraków – I hear Russian, Swiss German, English, French and Spanish around me… there seems to be a real Christmas market tourism going on in Europe.

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Frauenkirche (Cathedral of Our Dear Lady)

I look for a more quiet place away from the busy Christmas market scene and turn to the Frauenkirche. One of the towers is being renovated. Is the church open? – Yes it is.

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I love the Frauenkirche. It is an exceptional church in Bayern. All churches in Bayern that I know are full of decoration and a lot of gold. The Frauenkirche has suffered severely in the second world war. It has been reconstructed in the old gothic style with adding the decoration that has been saved in the war. This is not much. The decoration is unostentatious and breathes a touching solemnity that also reminds us of that ugly war.

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Alter Peter (Peterskirche or St. Peter’s church)

Most church towers have a regular shape and four clocks – one on each side. The Peterskirche is different. The tower is “flat” and an additional clock is hanging on the roof. They call this tower just “Alter Peter” (Old Peter). For me it is a symbol of the charming stubborness of the Bavarians that I love.

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Asamkirche (Asam Church)

The Asamkirche is on Sendlingerstrasse. It is a late baroque church built by the brothers Asam and it hides memories for me.

I came across the brothers Asam in Weltenburg – my mum took me there, when I was a teenager. It is a monastery located on the Danube, and I was impressed by the baroque church that the two brothers had built – as legend says, because they were in trouble in their boat, and, when saved, built this church out of gratitude. I was very impressed by the cupola that seemed to float high above me. I had never seen such a floating cupola before.

The brothers Asam also built the Asam church in Munich. It was first their private church and was then opened to the public. As a teeager, my mum introduced me also to this church –  and much later I came back several times with Ernst. Now I am here again, with my mum and Ernst in my heart.

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Dinner in the Il Sorriso with my friends

In the evening my friends take me to their favorite Italian restaurant, Il Sorriso. We have spaghetti with clams and noodles with truffles. We do not select the best Nero d’Avola, perhaps we should have asked for another bottle (would not have been a problem). The place is friendly and has a selection of postcards that guests can take with them as a souvenir. Here is an example – this card is useful for someone who is in love.

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It says: “When do we meet again? I can barely await it.”

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Back to Basel by train from Munich-Pasing

How lucky I am that I had planned to take the train to Basel instead of flying Lufthansa. Lufthansa is also on strike on Tuesday – today. Yesterday I had bought my first class ticket at the Munich main train station for 120 Euros. My SBB “Halbtax” entitles me to a discount of 25% for German trains. The lady at the counter was sighing. I was the first client that was friendly with her – before me she had been confronted with many frustrated Lufthansa passengers.

After a long evening entrenched in vivid debates with my friends, a quiet night and a wonderful breakfast, I catch the train in München-Pasing at 1 pm, settle in first class and I arrive in Basel shortly before 6 pm.

It was great to stop over in Munich on my way back from Kraków – I will do that again. And I will avoid Lufthansa…